When storyteller Lerato Mogoatlhe speaks about Africa, you can literally sense each city, each meal, and each tourist attraction. She has crafted every detail of her African voyage into an intimate retelling of a bid to experience the continent in its entirety. Thirty-three countries later, she is well into her journey.
Tatenda Kanengoni, bird story agency
For as long as she can remember, Lerato Mogoatlhe existed in two parallel universes. Taking in the views of the Johannesburg skyline, her mind would wander to the sands of Timbuktu, she would learn to pronounce the names in Ngũgĩ wa Thiong’o’s literature and she would will “that” Africa become her reality, even if the life she was experiencing in South Africa fought against it.
Mogoatlhe was born and raised in Mabopane, a suburb of Pretoria. Growing up in apartheid South Africa meant western culture, texts, history, and ideals were instilled through a “Bantu Education” system that vilified all things African. Still, an encounter with African literature struck a chord in Mogoatlhe’s heart, and she never looked back.
“I encountered African literature in Grade 10 and not at a superficial level of the curriculum at that time. I read Things Fall Apart, and firstly, the way he uses language; you’re encountering things you’ve never met before, traditional wrestling, palm oil,” Mogoatlhe narrates.
“I was so engrossed. I fell in love with African stories, African history, our heritage, and it made me want to travel,” Mogoatlhe explains.
Through these books, her love affair with Africa was ignited. She made decisions that pulled her closer to her dream of exploring the continent, including enrolling for a journalism degree at Wits University to pursue a career she believed would allow her to travel.
“I was like, ‘if I love travelling, and journalism is one of those careers everyone says you travel, I guess I could become a journalist,’” she chuckles.
To her dismay, travel in the media field was not what she had envisioned. In fact, travel outside South Africa was rare and restricted to particular assignments. A media trip to West Africa in 2006 finally turned the tide.
“It was a media trip to Accra for four days and it felt just right. Remember, I’m obsessed with West Africa; I’ve wondered, ‘when I finally go to Dakar, how is this word pronounced? Does it sound like the way it’s pronounced when I’m listening to the songs?’”
Everything about the trip was affirming for Mogoatlhe, from how the humidity beautifully laced her skin to the dominance and celebration of all things Black, something she was not accustomed to. Back home in South Africa, wealth remained significantly concentrated in the hands of the white minority while the majority Black citizens were often othered and categorized as the help.
“Whiteness centres itself in my experience as a Black South African, even when I’m not looking for it. It was very refreshing for me to be in Accra and have it be so African in how people dressed, spoke, and carried themselves around me,” Mogoatlhe says.
“I noticed how people walked so proud and tall, wrapped in their kente, how everyone was jubilant. I noticed at this particular shop how everyone was Black, from the manager to the staff,” she adds.
Mogoatlhe and her colleagues visited markets in Accra and the famed Labadi beach at the prompting of their driver. The beach was laden with vibrance from the art, culture, euphoric sounds, trinkets, and barbecue stands.
The reality of experiencing another African city was ‘a million times better’ than Mogoatlhe had imagined, and at last, she was not just imagining it; she was living it.
Towards the end of the trip, Mogoatlhe tapped into her manifestation hat once more, asking for a sign that she was meant to stay in Ghana, ready to risk it all.
“I love signs, so I’m like, if I see a Woolworths, I’m going to take it as a sign that I must move to Accra.” She spotted one 30 minutes later. “So, I guess I have to move to Accra, isn’t it?” Mogoatlhe exclaims.
In June 2008, Mogoatlhe took the leap and quit her job as an entertainment and lifestyle journalist to embark on life as an African vagabond with limited savings and a dose of faith.
“It was supposed to be a three-month trip to West Africa. I was going to go to Senegal, Mali, Burkina Faso, Ghana, Togo, and Benin, and then fly back to South Africa. Three months later, I was still in West Africa; five months later, I was still in West Africa. I spent a year and seven months in West Africa,” Mogoatlhe laughs.
Mogoatlhe relied on freelance gigs to stay afloat without a steady paying full-time job, often running out of money, but that did not deter her. She took taxis, trains, and buses to commute between countries, applying for visas in transit and spending two to three days between each country, her longest stint being a six-month stay in Mali.
Some of her most priceless encounters include finding herself part of Salif Keita’s musical retinue in Ivory Coast, discovering that griots (traditional West African storytellers and historians) still exist, experiencing the dervish ceremony held by Sunni Muslims in Omdurman in Sudan, and learning that Sudan has more pyramids than Egypt. However, her experience in Mali remains the highlight of her journey and is one of her drivers for fighting against stereotypical representations of Africa.
“When people speak of Mali, you consistently see the poverty, and then being able to spend six months in Mali and encounter the generosity that makes people run down the street and invite you for lunch, the generosity that makes people offer you their home, that makes someone move out of their bedroom that’s more comfortable so you can move into that bedroom,” Mogoatlhe says.
“Mali truly made me aware of the importance of writing our own story beyond stereotypes, with texture, with nuance. To be held with love as Malians do is a gift for the soul,” she continues.
Upon her return to South Africa, Mogoatlhe immortalized her experiences in the critically acclaimed book Vagabond: Wandering Through Africa On Faith, an account of how her three-month break in West Africa turned into living around the continent for an extended period of five years.
Although she no longer lives on the road, she still travels extensively and runs the travel blog www.vagabond.africa while fulfilling her time with narrative work at Africa No Filter, shifting stereotypical narratives of Africa.
“Africa is the biggest story ever told,” says Mogoatlhe.
“There’s a kaleidoscope of experiences. For me, it is such a pity when it is just reduced to stereotypes. It is an even greater pity when we do not travel the continent because we have also internalized those stereotypes and misconceptions about ourselves.”
Some interesting quick-fire insights on Mogoatlhe’s travels:
Favourite meal: Thieboudienne, the national dish of Senegal and the superstar of rice dishes. Fave streetfood: Uganda has a street food called Rolex, and Egypt has kebda (liver sandwich).
“Egypt also has pickles called Torshi; when I say I miss Egypt, what I mean is I want to eat torshi. Francophone West Africa eateries called Dibiterie, the best fire-roasted meat I’ve ever had. Slow-cooked, served with mustard, and melts in the mouth.”
Languages learned along the way: “A bit of KiSwahili, and French, and I am now learning Portuguese.”
Source: Bird Story Agency.